3,626 Royalty-Free Audio Tracks for "A. Major"

Made to represent glass or crystal harmonic sounds. Also uploaded a separate version without the additional low-pitched hum. Reminiscent of chest or other point-of-interest proximity sounds in major video games. Remix of https://freesound. Org/people/sam_x/sounds/27701/recombined numerous times to give it a more homogenous sound, and edited for seamless looping.

Fum, a 16th or 17th Century Catalan Christmas carol, here performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. The somewhat idiosyncratic arrangement appears to be created by the Army staff.

Altered major chord on B with diminished seventh (B, D♯, F♯, A♭), equivalent to a minor-minor seventh chord on G♯ (G♯, B, D♯, F♯) Alterierter Akkord mit verminderter Sept Esperanto: Ekzemplo por malsupren aliigita septo

Serenade in E♭ major for 13 wind instruments, Op. 7, performed by the Concert Band of the United States Air Force Heartland of America Band. Track 11 from Fancies, Toyes and Dreams (1994).

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)

Bach's Invention No. 8 in F Major, BWV 779 performed by the Strolling Strings of the United States Air Force Band. Track 10 from Air Force Strolling Strings 40th Anniversary (1994).

9-note ending riff. 1 of 8 samples under 5 seconds from my acoustic guitar recording of a civil war fife and drum song named frog in the well, which i learned from an 1862 instructional manual. The instrument was a 1928 gibson l3. There are no effects. Key is (in order of best fit) d major, f# minor, e minor, g major, a blues. Time signature is 3/4, but these samples are mainly under a bar so can be used in a 4/4 song. You also use either of these licenses for your remix: creative commons attribution-sharealike, creative commons attribution-noncommercial. The home of this song on the web is soupgreens. Com/froginthewell. That has the full source song in mp3 format and short clips (40 seconds, 30 seconds, and 20 seconds) for use in video cues. There is also sheet music and guitar tab there.

Urban rooster from portland, or calls at 0:01, 1:20, 3:08, and 5:25 with an array of sounds in between: airplanes overhead, cars driving by, assorted bird chirps and caws, and even some wind boom-noise to play with. An accidental bump of the mic at 0:08 (sorry) should be the only major blemish in an otherwise funny first field-recording.

In the range of three octaves, sung by me in 13 tracks. Not completely in tune. The first one is unedited sound. The second is transposed an octave lower. The third is transposed two octaves lower. In the fourth all the latter are sounded together (39 voices). The transposing makes a peculiar effect to the voice specially in the second (12 semitone) transposition.

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)

Skip to My Lou performed by the Singing Sergeants of the United States Air Force Band. Track 3 from The Singing Sergeants 50th Anniversary (1945-1995) (1995). Major Mark R. Peterson, commading officer.[1]

Here We Come A-wassailing (title given as "Wassail Song" in the CD notes), a English Christmas and New Year's carol from c. 1850 performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010.

Piano Sonata No. 21 in C major,Op. 53, Waldstein. I. Allegro con brio. Sonate pour piano n° 21 en do majeur, opus 53. II Allegro con brio.

1st release date: 1937 1st recording date: 29 November 1936 Place of recording: Abbey Road Studios, EMI Studio No. 1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Luigi Boccherini (1743-1805) Lyricist(s): - Conductor: Landon Ronald (1873-1938) Performer(s): Pau Casals (Cello) (1876-1973) and the London Symphony Orchestra Vocal range: instrumental Title/Work: Cello Concerto in B-flat major, G.482 Content: 2nd Movement (Conclusion): Adagio non troppo Genre(s): Cello concerto Comments: RCM and ELP

1st release date: 1937 1st recording date: 29 November 1936 Place of recording: Abbey Road Studios, EMI Studio No. 1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Luigi Boccherini (1743-1805) Lyricist(s): - Conductor: Landon Ronald (1873-1938) Performer(s): Pau Casals (Cello) (1876-1973) and the London Symphony Orchestra Vocal range: instrumental Title/Work: Cello Concerto in B-flat major, G.482 Content: 3rd Movement (Part 1): Rondo (Allegro) Genre(s): Cello concerto Comments: RCM and ELP

Example of how the four major waveforms sound compared to eachother. Warning: loud! this is full amplitude, so sawtooth and square in particular will appear louder than your average sound. Sound generated using the go-sound golang programming library:https://github. Com/padster/go-sound. As part of the demonstration program:https://github. Com/padster/go-sound/blob/master/runthrough. Go.

A mixer truck, freshly loaded is mixing (extremely dry) concrete in the drum as it spins on the frame of the truck! i held the mic to the exterior of the steel drum as it spun. So there are underlying cat engine noises in the background. The concrete is so dry, its load enough to over power the majority of engine sounds.

24 bit 44. 1, fretless fender squire jazz bass with humbucking pickups, groove in a major/mixo at 100bpm. This was sloppily played, more for the sound of the bass than my playing. If you need something specific, i'm happy to give it a try, free of charge, no attribution needed (though would be fun).

The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

A single bar from "Fugue No.17 in A flat", BWV 862, displaying contrapuntal polyphony. The piece is part of J. S. Bach's Das wohltemperirte Clavier, Part I. See: File:BachFugueBar.png

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

America the Beautiful performed by the Singing Sergeants of the United States Air Force Band. Track 24 from The Singing Sergeants 50th Anniversary (1945-1995) (1995). Major Mark R. Peterson, commanding officer.[1][2][3][4]

Recording taken from a train at about 20 feet away. It was very windy, so consequently, the majority of the track was very much ruined. There is a small click near half-way, caused by a brief release of steam. It might prove annoying if you are planning on looping it. There is also not an even right/left balance throughout, due to my movement to avoid the wind.

Platte River Run: A Nebraska Overture performed by the Concert Band of the United States Air Force Heartland of America Band. Track 2 from Heartland Journeys (1997). Major Mark R. Peterson, commander/conductor.[1]

Common-tone diminished seventh chord (♯vio42, in D major: b♯o7) in Tchaikovsky's Nutcracker Suite, op. 71a, III, Valse des Fleurs, mm.1-4.

*processed version with fx* loopable. Crowd reunited in front of parliament chants in protest against the government. In 2011 during a major economic crisis in portugal. Drums rhythm and big crowd singing and clapping along. Recorded with fostex fr2 and a sanken cmd-10 stereo microphone, october 15th, 2011. .

The Star-Spangled Banner (2001) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 1 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

Franz Liszt's Hungarian Rhapsody No. 6 in D-flat major (arranged for wind band) performed by "The President's Own" United States Marine Band. Performed by the Marine Band on Jan. 5, 2014, at George Mason University's Center for the Arts Concert Hall. Col Michael J. Colburn, conducting.

Movement V, "Basse et Dessus de Trompette" of Suite du Premier Ton (Suite in C major [literally "on the first tone"]) from Louis-Nicolas Clérambault (1676–1749) 1710 book of organ compositions, Livre d'Orgue. Basse et Dessus de Trompette, pièce pour orgue (for pipe organ), de Louis-Nicolas Clérambault (1676–1749)

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (2nd Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

*unprocessed version* loopable. Crowd reunited in front of parliament chants in protest against the government during a major economic crisis in portugal. Drums rhythm and big crowd singing and clapping along. Recorded with fostex fr2 and a sanken cmd-10 stereo microphone, october 15th, 2011.

I recorded one usable minute of passing train, moving slowly through town. I thought the local engine served just one customer, a major metal scrap yard, but the half-dozen box cars on this engine don't fit that model. Considering the overall decrepit condition of american railways, this one isn't bad.

🙏 thank you for interesting in my sounds!. Accidentically autotuned to c major, whoops 😂. Recorded on a samson c01upro - condenser mic 🎙️. Supporting me by following me on soundcloud is free aswell 🧡. Daan duister recordings 🎵.

Hapi drum improvisational duet with debby and gordon rosenberg, featuring hapi mini c major and hapi origin d minor. Recorded as is, no editing, 2 hapi drums, one zoom nh4 recorder, one session. Recorder set 3 feet away, at front center, recording level 80. Recorded on march 11, 2016, indoors in our studio.

22 minutes stereo recording of a thunder-storm including 3 major strikes at 0:15, 15:00, and 21:00. Rain in the background. Digitally recorded as 48khz-24bit-wav (device: zoom h4). Normalized +5db, then down-sampled to 44khz/16bit. This is the ogg vorbis file (q: 60%). There is also a flac version (lossless 100mb).

Battle Hymn of the Republic (with poetic narration) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 16 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

National Emblem (2001) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

The Stars and Stripes Forever (2001) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 18 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

Second Suite in F for Military Band IV. "Fantasia on the Dargason" performed by the 553rd United States Air National Guard Band of the Northeast. Track 5 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

This is a recording of Scott Joplin's "The Entertainer" rag, which was composed in 1902. This performance was created by Adam Cuerden, a Wikipedian, and found at http://adamcuerden.deviantart.com/gallery/. The MP3 file was then converted to OGG by Major Bloodnok and subsequently uploaded to the Wikimedia Commons. The recording, plus other source files (such as Midi) can be found at the URL http://adamcuerden.deviantart.com/#/d48wa4r.

bassoon concerto in b flat major, k. 191 - i. allegro Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 1st Movement: Allegro (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 27-29 September 1928

A tabla loop played only with the bayan (the bass drum). The taal is kherwa (the rhythm) and the bayan isn't used at all. Recorded using behringer c-1u, recorded in adobe audition, and finally did some eqing (the major part of the eqing was removing the 60 hz hum and the obnoxious other harmonics). Enjoy!.

This a amaj drone tone created from an orchestra tuning sound segment (http://www. Freesound. Org/people/acclivity/sounds/24205/). Through an harmonic model, the low brass section have been separated of the trumpets and then a series of harmonic (harmonizer) transformations have been done in order to include a major third and a perfect fifth in the f0 = a2 harmonic serie. The a tuning is a little bit down from 110hz (~106-107hz).

Five is four: a polyrhythmic analog-synth loop with ambiguous five or four time signature. Slightly frantic sounding, arpeggiator-like rising pattern a bit like a shepard tone, it's a 5/4 pattern, but accents are distributed in 4/4. 180 bpm, key is a-minor (a-minor then f-major). Two loops marked in wav file, first is the bare synth pattern, loop is samples 0 to 640,000; second is with a pad, loop is samples 960,000 to 1,600,000.

Gesù bambino is an Italian Christmas carol composed by Pietro Yon in 1917, and translated into English by Frederick H. Martens. Performed by the chorus of the U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major), c. 2010.

1st release date: April 1928 1st recording date: 1926 Place of recording: London (United Kingdom) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Performer(s): Budapest String Quartet 1st Violin: Emil Hauser (1893–1978) 2nd Violin: Imre Pogany (1893–1975) Viola: István Ipolyi (1886–1955) Cello: Harry Son (born Henri Mozes Son) (1880–1942) Vocal range: instrumental Title/Work: String Quartet No. 17 in B-flat major, K. 458 Content: 3rd Movement: Adagio (1st Record) Genre(s): Chamber music